Monday, December 24, 2012

Nerve Injuries & Nerve Damage Treatment: Energy Healing for Restoring Nerves & Peripheal Neuropathy

Nerve Injuries & Nerve damage Treatment: Energy Healing for Restoring Nerve Disease, Nerve Disorders & Peripheral Neuropathy

Whether you have a pinched or severed nerve, sciatica, peripheral neuropathy, diabetic neuropathy symptoms, stroke or brain damage, a nerve injury creating paralysis, or any loss of physical sensation or movement, nerve damage is an annoying and dehabilitating chronic condition that can benefit from energy healing.

Dr Robert Becker in his book "the Body Electric" was a pioneer in discovering that electromagnet impulses could regenerate neural pathways and restore nerve function. Directed electromagnetic impulses can re establish muscular movement through electrical current stimulation. According to CBC News, "The functional electrical stimulation rowing machine, developed by researchers in Edmonton and England, helps people with disabilities (paraplegics and others) enjoy the benefits of regular exercise." Christopher Reeves used electrical muscle stimulation on his legs to prevent atrophy and within his diaphragm to encourage breathing movement and maintain lung function. Even the acute pain exacerbated by nerve injury is relieved with focused electrical impulses. TENS (Transcutaneous Electrical Nerve Stimulation) machines deliver small electrical pulses to the body via electrodes and has widespread clinical use for pain relief from nerve damage.

Nerve Injuries & Nerve Damage Treatment: Energy Healing for Restoring Nerves & Peripheal Neuropathy

Energy Healing is a form of electromagnetic stimulation. According to James L Oschman, "Healing energy, whether produced by a medical device or projected from the human body, is energy of a particular frequency or set of frequencies that stimulates the repair of one or more tissues." Energy healing directed by a healer focuses electromagnetic energy stimulation into the energy field and physical body of the client. This transfer of directed electromagnetic frequency stimulation affects the clients cellular molecular system and the "cascade of activities initiated by such signals may provide essential information to cells and tissues, and open channels for the flow of information that coordinates repair processes and for restoring normal function after trauma." Energy Healing is non-invasive and there are no clinically documented adverse events in existing literature.

The table below, demonstrating the electromagnetic frequency used for restoration is taken from Sisken & Walker in 1995.

Table 1

Healing effects of specific frequencies (frequency windows of specificity)

Frequency Effects
2 Hz Nerve regeneration, neurite outgrowth from cultured ganglia
7 Hz Bone growth
10 Hz Ligament healing
15, 20, 72 Hz Decreased skin necrosis, stimulation of capillary formation & fibroblast proliferation
25 and 50 Hz Synergistic effects with nerve growth factor

Today medical research has confirmed that the application of directed therapeutic electromagnetic energy fields 'can convert a stalled healing process into active repair, even in patients unhealed for as long as 40 years' (Bassett 1995). The mechanism by which 'active repair' is initiated probably involves both activation of specific cellular activities and the opening of the channels or circuitry for the natural biological communications required for initiating and coordinating injury repair through the focused electrical impulse stimulation inherent in energy healing. The independent case study research data: INTENSIVE HEALING FOCUS: Paralyzed dog's spinal cord nerves, discs and vertebra regenerated published in Dr. Daniel Benor's The International Journal of Healing and Caring illustrates the benefits of healing energy in traumatic nerve injury.

As a medical intuitive and distance energy healer, research continuously confirms the evidence based healing abilities of electromagnetic impulse energy healing.
Traditional procedures and treatments will eventually merge with what we now call alternative medicine, to become the " integrative medicine" of the future. At that time, each client will derive a greater benefit from all healing modalities that are available to them.

Feel free to reprint this article in its original format.

Contact Information:

Brent Atwater, Alternative Medical Specialist

Medical Intuitive, Distance Energy Healing

ATL, GA Phone: 404.242.9022 USA

NC Phone: 910.692.5206 USA

Website: http://www.brentatwater.com

Email: mailto:Brent@BrentAtwater.com

Disclaimer: Brent Atwater is not a medical doctor or associated with any branch of medicine. Brent works in Alternative & Integrative Medicine. She offers her opinions based on her intuition, and her personal energy healing work, which is not a substitute for medical procedures or treatments. Always consult a physician or trained health care professional concerning any medical problem or condition before undertaking any diet, health related or lifestyle change programs. As in traditional medicine, there are no guarantees with medical intuition or energy work.

Nerve Injuries & Nerve Damage Treatment: Energy Healing for Restoring Nerves & Peripheal Neuropathy
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Brent Atwater: Medical Intuitive, Distant Healing: An alternative & integrative medical specialist (CAM), Brent's international evidence based Medical Intuitive & Distance Energy Healing work is published and has been studied by & or documented at Duke, the ARE, & for animals by the NCSU's Vet school. She participates in research & Clinical trials. ARTIST: An artist 30+yrs, Brent is a pioneer in healing art by scientifically documenting Paintings that Heal™. Her art was featured on "PBS". At 16, NC Museum of Art chose her painting for the permanent collection. She founded Just Plain Love™ Charitable Trust to benefit children. AUTHOR: Just Plain Love™ Children's Healing Books. The books are translated into plays performed in children's healthcare facilities turning illness negatives into positives. "Cancer Kids, God's Special Children". "Positive Attitudes, Affirmations, & Actions for Overcoming Your Health Challenges", & "Positive Attitudes, Affirmations & Actions to Help Survive Your Cancer Experience". Brent attended Wake Forest Law School and is a minister.

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Friday, December 21, 2012

How Does Play Help Children's Development?

In this article I will introduce my personal definition of play, but acknowledge that play is basically indefinable because it is so vast and variable. I examine free flow play and the obstacles to play, and the purpose and value of play. I examine one small group of students working definition of play as a developmental tool that helps children develop holistically and other aspects of our definition, ie a developmental journey, play being accessible to all, and the aspect of fun and enjoyment in play. Alongside this, this article examines structured and unstructured play, including theorists views and I include some of my own observations and examine the play content in them.

Before I extend on group's definition of play, I would like to state my own theory about play, and explain what I mean stressing again, that play is basically indefinable because of its flexible and vast nature.

My theory is that play is fluid. It can take many forms, have many meanings, express itself in many ways, but it cannot be contained in a box or shape and labelled as 'play'. If play is taken out of one context and into another it changes its shape and purpose, and the way it moves and performs. All of it is play in its many facets, and all of it is of equal value, because it meets the differing needs of the child at the time it is being played.

How Does Play Help Children's Development?

Play is fluid so therefore cannot be defined purely as one aspect or another, and as water is fluid, so is play - it changes its shape to its environment, circumstances and players, taking on different forms, expressions and meanings to the players concerned. It has intrinsic meaning to the children and may change direction at any moment, according to the children's needs and personality etc. Bruce verifies that play is like fluid and free-flowing,

She stated: "the whole point about play is that it cannot be pinned down. It flows. It is on the move." (Bruce 2004:154)

Free-flowing play can be limited by obstacles such as time, adults, relationships, routines, outcomes, interferences, circumstances, environment, or disability, and may not flow in the natural direction a child may wish to take it if limited by any of the above obstacles. However, because play is fluid, it can continue where it was left, or be restarted and flow in entirely different direction if obstacles do not restrict play.

Props may be used during free flow play which then takes on a symbolic characteristic, and children may engage in role play or socio-dramatic, plus rough and tumble, all rolled up into one, making it difficult to untangle and define! Children do not need adults to direct free-flow or fluid play, only to keep them safe from harming themselves or harming others. This may be viewed as an obstacle by children (and so it is) but as long as adults are not being 'over-protective' or 'over-restrictive' and children understand the need for safety rules (they tend to like rules in play anyway!) then the

obstacle or interruption is only a temporary obstacle, that children can overcome and move one, because their play is flexible and fluid.

The purpose or value of play, as mentioned is intrinsic to the child and players and appears to be part of children's developmental journey. Bruce (2004:149) describes play as a process with no productive end. Play helps children develop in a holistic way, developing their social interactions, language skills, co-operation, understanding of how the world works, and personal, social and emotional development. Play is a tool that brings knowledge and experiences together. Vygotsky viewed play as a vehicle (or tool) for social interaction. Bruner believed roleplay was a vehicle (or tool) for learning about society's rules and conventions. Piaget believed play unifies children's experiences, knowledge and experience. Frobel, Steiner, and Issacs were the biggest advocates of holistic development. Frobel believed learning and development is holistic, involving the child, other adults and the environment, and that childhood is a stage in it's own right. Steiner based his principles on Frobels and developed a programme involving

play. Issacs believed play was central to the overall development of the child.

Play is as an important of children's developmental journey - it becomes a tool by which children learn to develop in a holistic manner, it enables them to understand themselves, other people, their community and the world around them. Play also enables children to act out experiences, past and present, and enter into fantasy worlds. Bruner believed that play is process-led rather than task orientated, but also believed it prepares children for adulthood. (Fisher 1996:97) We are all on a lifelong journey and the journey, and the journey for me may be different to your journey. We may start at the same place, but go in different directions, and we may meet again but be different people, because life (and play, as part of that process) shapes the people and character we become. The journey of developing and learning is a long, slow, and ongoing process throughout life - a developmental journey which starts at birth and finishes at death, and play in its many fluid forms, becomes part of the process.

If play is structured, directed or initiated by adults, play takes on a different role. If play has a goal, target or outcome for a child to achieve, often children do not view this type of play as play, but as work.... they view

work as teacher-directed and play as choice, sitting down as working, and being active as playing (Wood & Attfield, 2005:17). However, a divide between play and work cannot easily be made. Children learn in and through play, whether it is teacher initiated or child initiated. Frobel, Steiner, Issacs, Piaget believed play should not be directed. Miss Boyce believed in a mixed approach, including free flow play and a more structured timetable for teacher-directed sessions. Montessori, demonstrated skills to children and did not believe in freeplay. Brunner saw play as a process but also believed adults need to scaffold children's experiences in order to help them progress to the next stage, as did Vygotsky, who advocated adults working alongside children to build on / scaffold their understanding to move them onto the next stage. McMillian also believed in a structured environment that was planned to support children's needs, and which integrated subjects such as maths, science and literacy.

Whether play is adult led or child led, children will learn many skills through play such as; co-operation, negotiation, other people's views, social skills, language skills, fine and gross motor skills may improve and other skills may

be mastered, thinking and cognitive skills are used and improved, so therefore children will learn through play whether there is an intended outcome or not! My own observations of children's play confirmed this. Children learned through many different types of play, structured and unstructured. Structured play helped children develop more in the cognitive realm whereas unstructured play helped children develop more in the creative, language, physical and personal/social realm.

If they do meet the outcomes (which they should do if the resources, processes and intensions are aimed at the right level...) then this is an added bonus! If planned and resourced correctly by practitioners, play can help children meet targets within the Foundation Stage or Key stage 1, covering all aspects of the curriculum from Personal, social and emotional development through to creative development.

Adults can improve the quality of children's play by providing a rich variety of resources, and well planned structured play, indoors and out, needs sensitive scaffolding for children to progress or learn new skills and knowledge. Adults also need to provide plenty of free flow play, and time

to complete tasks. If adults aim to intervene as little as possible in free play, this will provide a better outcome for children.

In structured play the teacher/adult has used play as a 'tool' (others call it a vehicle or medium) but may not be viewed as play in its purest form. Play cannot be categorized into 'play' or 'not play' (because play is fluid and takes many forms) but may be better defined as 'more pure play' or 'less pure play'' (Wood & Attfield 2005:4-5) Wood and Attfield further define pure play as unstructured, active, fun, a process, pretend, child invented and child-chosen. Linden states, "Circumstances can prevent or restrict play. Constraints may be placed by adults or the environment limits children's experiences. Alternatively, developmental problems, disability or illness can shape the possibilities for children." Play may be hampered (children may have obstacles to play) if they have any form of disability or cultural, language, social or economic differences. Children (like adults) tend to be exclusive, uncertain about things or people they don't understand or are not like them, unless they are informed/educated that all children have an equal right to play and should be granted access and opportunities to play.

Children need adults to be good role models demonstrating equality by provision and adaptability to children's needs. Children need adults to provide different types of play or different ways of playing, so that children can access it. Some children may need more adult support to access play, especially if there is some form of disability or complex needs. These children may access play differently, but all children have the same right to develop in a holistic way that all children do. All children need the 'tool' of play for their own development; because play is fluid, the way the tool is used may be different.

I observed a young boy (of about 8 years old) and other children aged between 6-10 years in a social club setting. All the children, except the little boy of 8, were engaged in locomotive play. They were chasing, tickling, rolling, dancing etc throughout the night, mainly in small groups of children. The play looked chaotic but was not out of place in the setting. The adults observed this play and did not intervene. The children appeared

to have no purpose or intension but to enjoy themselves, and the value to them was in participating in the fun, making up games and dances, enjoying social activities together and passing time in an enjoyable way.

The other little boy of 8 however, did not join in any of the play, he merely acknowledged the other children. Instead of playing with the other children, this little boy stood in front of the band that was performing, and appeared to be conducting them (using a toy), virtually all night. He was engrossed in his play/work. Later on when the band had a break, he circled around the

hall floor, (walking on his toes) making 'car-like' movements. At this point the boy may have been involved in role play. However, his first play was very difficult to understand (possibly role play or practice play?) This little boy appeared to have special needs along the line of Asperger's syndrome (noted from previous study and personal experience) I suspected Asperger's syndrome because he did not communicate with the other children, contact them, play alongside them, or join in their play. When they came near him once during locomotive play, he visible repelled / moved himself clearly out of their way. He couldn't or didn't access any type of social, co-operative or

parallel play, but preferred his own solitary activity and the type of play he engaged in was repetitive. Although his play didn't make sense to me, it was meaningful to him. He appeared to believe he was truly directing the band (though they ignored him and continued their performance) however he was engrossed in roleplay or practice play and appeared to enjoy what he was doing. His play was intrinsically valuable to him and he had as much right to play in this way as the other children had to play in their way. Linden Stated "Play stems from children's own perception of the world and how it works... play is a very personal, creative activity... within children's understanding, their play is meaningful in it connection to non-play reality. (2000:43).

I also observed other types of play in other settings with younger children. The type of play I observed included socio-dramatic (2-3 year olds involved in playing with dolls, prams and accessories, going shopping etc); exploratory play (2-3 year olds exploring playdough and cutters, moulding, shaping, cutting etc); creative play - free painting, mixing paints, making patterns and pictures and epistemic play (2-6 year olds involved in table top games,

including sounds game, snakes & ladders and alphabet jigsaw). The learning processes during these observations was vast, from social skills, co-operation and concentration to language skills, physical skills, fine motor skills, mathematic skills, creative skills to cognitive skills, being used, extended and enhanced in play to the benefit of the child/ren concerned.

Play however, is not just a tool that enables development, play in itself is fun and has value in itself. Play is as valuable to the child as work is to adults. Fisher (96:103) stated "Play has its own intrinsic rewards, it is done spontaneously and voluntary and it is thoroughly enjoyable." If play is self-chosen, self-motivated and directed, then it can only be enjoyable. Theorists such as Lazarus and Garvey hold this view; indeed children would not engage in play so readily if it were not so! Linden (2001:44) stated, "children play for play's sake. The activity is an end in itself and is not undertaken for an end product."

Conclusion

In this article I have stated my theory of play as being fluid, and other aspects or definitions of play and its value in children's development. Included in this are some theorist's views of play, and observations of children's play and what they are gaining from it, noting however, that defining play in all its elements, is very difficult! Play has many facets and functions it is impossible for one or two statements to adequately state what play is or does and many theorists hold differing views, reflecting this difficulty.

Play has become a tool in the Early Years sector and education and it is key to understanding how children think and feel. It has become clearer to me that play is crucial to children's social and emotional development, and other aspects such as language skills, cognitive skills and understanding the world in which they live. It has also become clearer to me that the least amount of time adults intervene in children's play, the better! (Though of course there is a time when structured play is appropriate). Play is enjoyable and motivating and a tool that develops children holistically and plays is fluid in that it fulfils many different roles that aids children in their developmental journey.

http://childsworld.info

How Does Play Help Children's Development?
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Ruth Grigg

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Tuesday, December 18, 2012

Heroes Are Made Not Born - Summerland by Michael Chabon - Book Review

Heroes have often been born from unlikely mold. From four ordinary children entering a wardrobe, two hobbits carrying an object of great evil, to the emerging of a certain orphan with a scar -these literary figures have proved one thing. Heroes are made not born.

It is then the task given, destined to you that ultimately changes you. Great tasks beget great heroes. It is this very essence that allows a person to strive to become more than what he already is, to go beyond his boundaries. Joseph Campbell said that a hero is someone who has done something beyond the normal range of achievement. And what greater achievement to create a heroic figure than that of saving a world? This is The Quest few have been chosen to embark on. And one of them is Ethan Feld.

Ethan was one of those boys who calls himself a failure at the baseball plate. But when his father is abducted and the Four Worlds are threatened by an ancient cunning figure, he is called upon to stop the end of the world. And he does this by playing baseball.

Heroes Are Made Not Born - Summerland by Michael Chabon - Book Review

No doubt, Summerland would have fit right into the typical recipe of an archetypal quest -get the chosen one, chosen one gathers band of companions, chosen one and crew encounter the bad guy, defeat him and save the world. If not for this significant element -baseball. Ethan and his group (ranging from a tiny giant to an even tinier Indian) slug through the Worlds, overcoming obstacles with their bats and mitts.

Yet Summerland is more than just a fantasy tale about this game. It is a big Tree of stories whose multitude of branches embrace the myths of all ages. Summerland is sprinkled with mythical allusions and archetypes who soon evolved into characters each memorable and unique in their own way. Chabon has created a rich tapestry of mythology that stands on its own. By the end of the story as Ethan and his motley crew struggle to save the Big Tree of Life, they realized they gained something equally precious along the way -that of finding true strength within themselves.

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You want to be a writer but don't know where to start? Want to read the ups and downs in the process? I'm a college lecturer who's finally decided to stop wishing and start doing. Join me in my writing journey in my blog, Live Out of the Box where I pursue my dreams, fall flat on my face and get up so many times and continue to experiment living life to the fullest.

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Friday, December 14, 2012

Writing a Children's Book - Knowing Your Audience

If you are writing a children's book, you have to know who you are writing for. You may remember your favorite titles from your childhood. Some of them may still be popular. But without taking time to learn what children are reading today, you will be writing a children's book that will simply collect dust.

It may surprise you how much variety there is in children's literature. It would be a mistake to assume that the success of the Harry Potter books, for instance, means that the children's bookshelves are full of witchcraft and wizardry. In exploring the children's literature section of the bookstore, you will see there is no 'right' way to write for children. You have the opportunity to find self-expression and write a children's book that is uniquely yours.

You must get to know your audience. You would write differently for a five-year-old than you would for a fourth grader. You may want to cater to a specific reading level. Choose your audience before you begin, and be true to that audience.

Writing a Children's Book - Knowing Your Audience

Toddlers

Children of this age are in their explore stage. They are concrete learners and accept information at face value. They appreciate seeing colors, shapes and textures in the books they are reading. Illustrations should be big and bold, since most of the toddlers are still not able to read, they will just look at the pictures. Cloth books and pop-ups are very effective if you want to get the attention of your toddler audience. The famous book of Bill Martin, Jr., Brown Bear, Brown Bear, What Do You See?, made use of big illustrations of animals and simple, repeating words that children can understand easily.

Preschoolers and Primary Graders

Like the toddlers, preschoolers and primary graders enjoy picture books and early readers. This age group can identify colors, shapes, letters, and numbers, but they still prefer to read books with more illustrations. They can still appreciate books made for toddlers. In fact, you can write a book targeting both toddlers and this age group. Preschoolers and primary grade readers both like books of fiction as well as non-fiction. They like to read about animals, sports, family and school. Using repetitive verse will help these children learn to read.

Upper Primary Grade

Books for the upper primary grade children are more complex and usually have more than 100 pages. Children at this stage like to read books with chapters and will still appreciate illustrations, but not as much as toddlers and preschoolers. They will appreciate books like Judy Moody or Ivy & Bean. These kinds of books have stories that upper primary graders can relate to. The characters in these stories are regular grade school children who have lots of adventures.

Middle Grade

Middle grade children understand the world better at this point in their lives. They already know what conflicts are and will want to find out about the resolution. They can identify closely to the characters in a book and can relate the stories to real life situations. Their interests are expanding and they can read books about history, sports, crafts, science and the like. Books for this stage have fewer pictures compared to the first three age groups.

Young Adult

Young adults are the teenage group. Teenagers already have issues with love, family, friends and school. The kinds of books teenagers want to read will be about love, sex, family problems and drugs. The teen world is in between the children and the adult world, so they are usually confused and are often attracted to danger. Young adults are inclined to read more complex books like thrillers, science fiction, fantasies, romance and other exciting stuff.

To write a children's book, you should know what your audience is reading. Your best resource, of course, is the children themselves. If you want to write a children's book, you should find out firsthand what interests them. Talk to them about what books they choose to read, and what their favorites are. Read to children if you have an opportunity, and observe what gets the most animated reactions from them. It won't take long for you to get a feel for your audience!

Writing a Children's Book - Knowing Your Audience
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Sunday, December 9, 2012

Encouraging Children's Language Development

Parents and carers can use a range of strategies to encourage children's language development. We thought of the following:

Talking to the child - even before a child can speak it is important for the adults and children around him to talk to him, for instance, by explaining what you are doing together ('It's time for Adam's lunch, isn't it?'), or what is happening ('It's lovely and sunny out here', 'Mummy will be here soon'). Remember to leave pauses so the child has chance to respond.

Using facial expression to convey meaning - children may not understand the words but they will usually understand the meaning if clear expression is used. For instance, if a child picks up a piece of soil in the garden and is about to eat it you might take it off him saying 'yuck' or 'nasty'. He may not know what 'yuck' or 'nasty' mean. If, at the same time, you also scrunch up your face and stick out your tongue to indicate a horrible taste, the child will understand your meaning quite clearly. Most adults do this quite naturally when speaking to young children.

Encouraging Children's Language Development

Reading and story-telling.

Social interaction. Including the child in experiences that give him the opportunity to hear conversations and meet new people.

Language and Other Areas of Development

The child's ability to communicate and use language effectively is of key importance to many other areas of their development.

Language has particularly close links with intellectual development and is the main tool by which we are able to develop our thought processes. For example, we use words to help us store and recall memories and other information.

Think about the word 'sunshine' - what memories and thoughts does this bring up for you?

Everyone's memories and thoughts will be a little bit different. When we asked a group of students this question, their answers included:

warmth light my holiday in Cyprus summer a t-shirt I have with a sun motif flowers.

This is a good example of the way in which words act as tools to help us organise and recall our thoughts and memories.

We also tend to use words mentally to direct and plan our actions, for example: "I'll drop these off at the library first and then call into the supermarket."

It follows that children whose communication skills are impaired in some way, or who have limited vocabularies, may also find it more difficult to develop reasoning skills and acquire new concepts.

Communication skills are essential if children are to express themselves clearly and understand others. It follows that there are close links between language and communication skills and the development of social skills. Poor communicators tend to find social situations difficult, and also find it more difficult to build relationships with other people.

Becoming a Communicator

Effective use of language involves far more than simply learning words - the child also needs to learn a whole range of skills around speech and communication, such as understanding how a conversation works. These are known as pragmatic skills.

Pragmatic skills begin to develop in the early weeks of life, with tiny babies 'turn taking', initiating communicative interchanges, and 'talking' non-verbally to their carers.

Pragmatic skills include:

knowing that you have to answer when a question has been asked; being able to participate in a conversation by taking it in turns with the other speaker; the ability to notice and respond to the non-verbal aspects of language; awareness that you have to introduce a topic of conversation in order for the listener to fully understand; knowing which words or what sort of sentence-type to use when initiating a conversation or responding to something someone has said; the ability to maintain a topic; the ability to maintain appropriate eye-contact (not too much staring, and not too much looking away) during a conversation; the ability to distinguish how to talk and behave towards different people and in different situations.

Many everyday activities can be used to encourage children's language development, for example during mealtimes or group work. Parents and carers should look for opportunities to help children develop their language. This would include opportunities to:

use questions listen learn new vocabulary speak.
Handling Mistakes

Young children make many mistakes in their speech. They often use grammar incorrectly and they may mispronounce words because they have difficulty in making the correct sounds. They substitute the difficult sound for an easier one, for instance 'th' for 's', as in 'yeth' for 'yes'. Such difficulties usually resolve themselves by 5 or 6 years of age.

It is very important to tackle such errors in a positive way if you are to boost the child's confidence. Avoid direct correction of errors. Show the child that you have understood what he is trying to tell you and also teach him how to say the word correctly. For example:

Child: 'mook.'

It is better to respond with 'Yes! Book, book.' than 'No, not mook, book.'

With older children too, it often helps to echo back mistakes correctly. They get the message but they do not feel criticised. This can be the key to good communication between the two of you.

Child: 'I have to do vis homework for tomorrow.'

Adult: 'You have to do this for tomorrow? OK.'

Some children are so keen to get the words out, or have so much to say, that they stumble over their words. Parents may worry that the child is beginning to develop a stutter but this is just a temporary stage that many children go through. It is not a true stutter. It is only likely to become a problem if parents or carers make a fuss and try to correct the child's speech. The child then becomes self-conscious and a real stutter may develop, at which stage the help of a speech therapist may be required.

Delayed Language Development

Children may be slow in learning to talk for several reasons, including:

genetics - it may be that the child's parents were late talkers too. he or she may have been concentrating on other aspects of development, such as learning to walk. not enough individual attention from adults - children learn to talk from adults rather than children. This can be a problem in large families or where there are twins or young children who are very close in age. lack of encouragement. deafness - A child cannot learn to speak if he or she cannot hear the words spoken by other people. They also needs to able to hear themselves so that they can improve their own attempts at words. Interestingly, during the first year, profoundly deaf babies often babble at the same time as other babies, but they stop after a few months. This may be because they cannot hear themselves and so can't reinforce their babbling.

It is extremely important to recognise deafness in children at an early age, as the earlier the child receives treatment the better the outcome. Parents and carers are ideally placed to notice that something is wrong with a child's hearing. Such problems are also often picked up at the routine developmental checks carried out by health visitors during the first year or so.

Encouraging Children's Language Development
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Linda Pollitt, Director of Studies, Learning Curve

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Thursday, December 6, 2012

25 Fun, Cheap, And Easy Things To Do With Your Kids This Summer

Summer is a great time to finally squeeze in all of those activities that you don't have a chance to do during the school year. Here are 25 fun, cheap, and easy ideas for keeping your kids busy until the school bell rings again in the fall.

1. Map out all of the different parks in your county and hit each one (on a different day) with a picnic lunch.

2. Teach the kids some jump rope rhymes from your own childhood.

25 Fun, Cheap, And Easy Things To Do With Your Kids This Summer

3. Find a new trail to hike.

4. Plan a scavenger hunt. All you need to do is list 20 or so items that are frequently found in nature. Then distribute the list to each of the kids. The first person or team to find everything and bring them back wins a small prize.

5. Tour a local factory or museum.

6. Take the kids to a scenic area with a set of watercolors and ask them to paint what they see.

7. Visit a local botanical garden.

8. Call your local public library to ask if they are sponsoring any reading contests or special story times.

9. Get a group of friends together and take the kids to the nearest water park or amusement park.

10. Start your own reading incentive program for the kids. For every three books, treat them to a sundae or a special trip to the bookstore.

11. Check your local newspaper for fun community events, such as local dance performances or magic shows.

12. Explore a new bike path.

13. Each Friday, eat a picnic lunch somewhere new.

14. Teach the kids how to cook or bake something delicious.

15. Teach the kids how to decorate cakes and let them experiment with a few cupcakes.

16. Bake a dozen muffins and take them to your spouse's office. Visit for a bit.

17. Take turns with other parents in your community teaching the kids about different crafts.

18. Get a nice new workbook. Before the school year ends, ask the teacher what books she recommends, so your child will keep up with her studies.

19. Plant a vegetable or flower garden together.

20. Ask your children to research a charity and brainstorm ways that they can raise money for it.

21. Visit a local farm or orchard and help out for an afternoon.

22. Ask the kids if they would like to learn a new sport or activity. The summer is a great time to try something new without the commitment that often comes with starting it for a school year.

23. Assign the kids a pen pal, and encourage them to write notes and letters every couple of weeks.

24. Have the kids try out a new musical instrument.

25. Make an obstacle course with sidewalk chalk and time each other on how long it takes to complete the course.

Get creative and think of your own ideas to enjoy some fun in the sun, and don't forget to spend some unstructured time, doing absolutely whatever you want.

25 Fun, Cheap, And Easy Things To Do With Your Kids This Summer
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Jamie Jefferson writes for Momscape.com and Susies-Coupons.com, where she shares discounts and specials on specialty kids' clothing as well as coupons for name brand outdoor gear.

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Sunday, December 2, 2012

How To Get Children Interested In Reading

Most people already know the benefits of reading. People learn by reading. People also have fun and feel fulfilled by reading. As a person reads more and more, the person's literary skills improve. Reading makes people into better readers, writers, and speakers.

Unfortunately, children do not read much anymore. Because most people never get interested in reading as children, as adults they also do not read much. Some polls even say that the majority of people in the United States do not read anymore. You probably want your children to pick up the beneficial hobby of reading. Let me suggest a few ways that you can get children interested in reading.

Less TV - You can get children to read more by getting them to watch less TV. Children read less because they lazily waste their time rotting their mind in front of a TV--a behavior they usually pick up from their parents. Consider deciding not to have a TV, or at least do not have cable. Even if you do have a TV, watch less yourself because children model their behavior after the adults in their life.

How To Get Children Interested In Reading

Suggest Books That Would Interest The Child - You can also get children to read by helping them find books they like. You can do this by bringing the children to a library or book store and letting them pick out books that interest them. You can also suggest books about topics of interest to the child. For example, if you have a child who likes to play soccer, consider suggesting a book about soccer to the child.

Do Not Push Too Hard - If you try to force children to read, or if you otherwise pressure them to much, you will make them dislike reading. Try not to make reading seem like a chore. Instead, you want to get the children to read on their own free-will. You want them to read voluntarily because they see the fun and self-benefit of it. Forcing your children to read will make them into good slaves who like to obey orders, but it will not make them into good readers who like to read.

Teach Children To Read Well - Children will not want to read if they cannot do it or if they cannot do it well. People like to do what they do well. If you have a talent for singing, you would like to sing. In contrast, if you sing horribly, you will not waste your time embarrassing yourself at it. Children will want to read more if they feel like they read well. Teach them how to read better in a positive environment. Additionally, compliment their reading abilities so that they feel proud and confident of their reading abilities. If they feel proud and confident of their reading abilities, the children will want to read more.

Use those methods to get your children to read more. Also, feel free to think of more methods.

Whatever you do, good luck and have fun!

How To Get Children Interested In Reading
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Scott Hughes owns and operates a website about books for readers at OnlineBookClub.org. You can discuss this article and reading in general at the Book and Reading Forums. It's completely free.

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